Bruno Beltrão is a Brazilian choreographer who has worked with his Grupo de Rua since 1996. The company consists of a local group of boys from Niterói, who never had imagined that they would perform at international festivals. Beltrão uses urban dance styles in the context of conceptual theatre and combines various influences, including hip hop, to form abstract choreographic landscapes.
Inoah is a piece that tries to find an answer to the following questions: how to dance together from an egocentric vocabulary? How can this vocabulary create other spaces? And is there room for subtlety in urban dances?